SHAW 2022: Composer/sound designer for Too True To Be Good.
(Selected Credits) FOR THE SHAW: composer/sound designer for many productions, including Sherlock Holmes and The Raven’s Curse, Rope, The Hound of the Baskervilles, The Baroness and the Pig, Dracula, Wilde Tales, Dancing at Lughnasa, The Adventures of the Black Girl, A Woman of No Importance, The Divine, The Sea, Cat on a Hot Tin Roof, Age of Arousal.
ELSEWHERE: composer/sound designer, The Front Page, Stratford; Twelfth Night, NAC; Helen Lawrence, The Flood, Canadian Stage; War of the Worlds, Art of Time Ensemble; The Crucible, Home, Glengarry Glen Ross, Soulpepper; Ugly One, Smash Theatre; To Kill a Mockingbird, YPT; A God in Need of Help, The Little One, Other People’s Children, Tarragon.
AWARDS: Juno nomination; six Dora awards, eighteen nominations.
The first play in August Wilson’s THE AMERICAN CENTURY CYCLE, his legendary ten-play cycle on the African-American experience in the 20th century.
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The love story that has been sweeping hopeless romantics off their feet since the 19th century.
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